Meryl Streep, Philip Seymour Hoffman

DOUBT has 5 Oscar Nominations!

John Patrick Shanley brings his Pulitzer Prize and Tony Award winning play to the screen as a gripping story about the quest for truth, the forces of change, and the devastating consequences of blind justice in an age defined by moral conviction.

It’s 1964, St. Nicholas in the Bronx. A vibrant, charismatic priest, Father Flynn (Academy Award® winner Philip Seymour Hoffman), is trying to upend the schools’ strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier (Academy Award® winner Meryl Streep), the iron-gloved Principal who believes in the power of fear and discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James (Academy Award® nominee Amy Adams), a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequence.

Academy Award® winning screenwriter John Patrick Shanley (“Moonstruck”) adapted his own play for the screen and directs Doubt, starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis. The film is produced by Scott Rudin and Mark Roybal, with Celia Costas as executive producer.--© Miramax

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Meryl Streep, Philip Seymour Hoffman

DOUBT has 5 Oscar Nominations!

John Patrick Shanley brings his Pulitzer Prize and Tony Award winning play to the screen as a gripping story about the quest for truth, the forces of change, and the devastating consequences of blind justice in an age defined by moral conviction.

It’s 1964, St. Nicholas in the Bronx. A vibrant, charismatic priest, Father Flynn (Academy Award® winner Philip Seymour Hoffman), is trying to upend the schools’ strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier (Academy Award® winner Meryl Streep), the iron-gloved Principal who believes in the power of fear and discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James (Academy Award® nominee Amy Adams), a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequence.

Academy Award® winning screenwriter John Patrick Shanley (“Moonstruck”) adapted his own play for the screen and directs Doubt, starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis. The film is produced by Scott Rudin and Mark Roybal, with Celia Costas as executive producer.--© Miramax

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Meryl Streep, Philip Seymour Hoffman

DOUBT has 5 Oscar Nominations!

John Patrick Shanley brings his Pulitzer Prize and Tony Award winning play to the screen as a gripping story about the quest for truth, the forces of change, and the devastating consequences of blind justice in an age defined by moral conviction.

It’s 1964, St. Nicholas in the Bronx. A vibrant, charismatic priest, Father Flynn (Academy Award® winner Philip Seymour Hoffman), is trying to upend the schools’ strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier (Academy Award® winner Meryl Streep), the iron-gloved Principal who believes in the power of fear and discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James (Academy Award® nominee Amy Adams), a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequence.

Academy Award® winning screenwriter John Patrick Shanley (“Moonstruck”) adapted his own play for the screen and directs Doubt, starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis. The film is produced by Scott Rudin and Mark Roybal, with Celia Costas as executive producer.--© Miramax

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Meryl Streep, Philip Seymour Hoffman

DOUBT has 5 Oscar Nominations!

John Patrick Shanley brings his Pulitzer Prize and Tony Award winning play to the screen as a gripping story about the quest for truth, the forces of change, and the devastating consequences of blind justice in an age defined by moral conviction.

It’s 1964, St. Nicholas in the Bronx. A vibrant, charismatic priest, Father Flynn (Academy Award® winner Philip Seymour Hoffman), is trying to upend the schools’ strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier (Academy Award® winner Meryl Streep), the iron-gloved Principal who believes in the power of fear and discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James (Academy Award® nominee Amy Adams), a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequence.

Academy Award® winning screenwriter John Patrick Shanley (“Moonstruck”) adapted his own play for the screen and directs Doubt, starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis. The film is produced by Scott Rudin and Mark Roybal, with Celia Costas as executive producer.--© Miramax

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Kristin Scott Thomas

I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel. - Rotten Tomatoes Consensus.

Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up the Juliette's ice and bitterness and she carefully opens up.

Kristin Scott Thomas

I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel. - Rotten Tomatoes Consensus.

Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up the Juliette's ice and bitterness and she carefully opens up.

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Kristin Scott Thomas

I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel. - Rotten Tomatoes Consensus.

Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up the Juliette's ice and bitterness and she carefully opens up.

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Kristin Scott Thomas

I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel. - Rotten Tomatoes Consensus.

Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up the Juliette's ice and bitterness and she carefully opens up.

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Kristin Scott Thomas

I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel. - Rotten Tomatoes Consensus.

Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up the Juliette's ice and bitterness and she carefully opens up.

Daniel Craig

DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle--telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers--Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)--hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives--Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

Kristin Scott Thomas

I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel. - Rotten Tomatoes Consensus.

Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up the Juliette's ice and bitterness and she carefully opens up.

For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller.

TWILIGHT is an action-packed, modern-day love story between a teenage girl and a vampire. Bella Swan (Kristen Stewart) has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother re-marries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. Then she meets the mysterious and dazzlingly beautiful Edward Cullen (Robert Pattinson), a boy unlike any she's ever met. Edward is a vampire, but he doesn't have fangs and his family is unique in that they choose not to drink human blood. Intelligent and witty, Edward sees straight into Bella's soul. Soon, they are swept up in a passionate, thrilling and unorthodox romance. To Edward, Bella is what he has waited 90 years for – a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. But what will Edward & Bella do when a clan of new vampires – James (Cam Gigandet), Laurent (Edi Gathegi) and Victoria (Rachelle Lefevre) – come to town and threaten to disrupt their way of life? --© Summit

TWILIGHT is an action-packed, modern-day love story between a teenage girl and a vampire. Bella Swan (Kristen Stewart) has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother re-marries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. Then she meets the mysterious and dazzlingly beautiful Edward Cullen (Robert Pattinson), a boy unlike any she's ever met. Edward is a vampire, but he doesn't have fangs and his family is unique in that they choose not to drink human blood. Intelligent and witty, Edward sees straight into Bella's soul. Soon, they are swept up in a passionate, thrilling and unorthodox romance. To Edward, Bella is what he has waited 90 years for – a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. But what will Edward & Bella do when a clan of new vampires – James (Cam Gigandet), Laurent (Edi Gathegi) and Victoria (Rachelle Lefevre) – come to town and threaten to disrupt their way of life? --© Summit

For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller.

TWILIGHT is an action-packed, modern-day love story between a teenage girl and a vampire. Bella Swan (Kristen Stewart) has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother re-marries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. Then she meets the mysterious and dazzlingly beautiful Edward Cullen (Robert Pattinson), a boy unlike any she's ever met. Edward is a vampire, but he doesn't have fangs and his family is unique in that they choose not to drink human blood. Intelligent and witty, Edward sees straight into Bella's soul. Soon, they are swept up in a passionate, thrilling and unorthodox romance. To Edward, Bella is what he has waited 90 years for – a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. But what will Edward & Bella do when a clan of new vampires – James (Cam Gigandet), Laurent (Edi Gathegi) and Victoria (Rachelle Lefevre) – come to town and threaten to disrupt their way of life? --© Summit

For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller.

For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller.

TWILIGHT is an action-packed, modern-day love story between a teenage girl and a vampire. Bella Swan (Kristen Stewart) has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother re-marries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. Then she meets the mysterious and dazzlingly beautiful Edward Cullen (Robert Pattinson), a boy unlike any she's ever met. Edward is a vampire, but he doesn't have fangs and his family is unique in that they choose not to drink human blood. Intelligent and witty, Edward sees straight into Bella's soul. Soon, they are swept up in a passionate, thrilling and unorthodox romance. To Edward, Bella is what he has waited 90 years for – a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. But what will Edward & Bella do when a clan of new vampires – James (Cam Gigandet), Laurent (Edi Gathegi) and Victoria (Rachelle Lefevre) – come to town and threaten to disrupt their way of life? --© Summit

TWILIGHT is an action-packed, modern-day love story between a teenage girl and a vampire. Bella Swan (Kristen Stewart) has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother re-marries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. Then she meets the mysterious and dazzlingly beautiful Edward Cullen (Robert Pattinson), a boy unlike any she's ever met. Edward is a vampire, but he doesn't have fangs and his family is unique in that they choose not to drink human blood. Intelligent and witty, Edward sees straight into Bella's soul. Soon, they are swept up in a passionate, thrilling and unorthodox romance. To Edward, Bella is what he has waited 90 years for – a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. But what will Edward & Bella do when a clan of new vampires – James (Cam Gigandet), Laurent (Edi Gathegi) and Victoria (Rachelle Lefevre) – come to town and threaten to disrupt their way of life? --© Summit

For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller.

TWILIGHT is an action-packed, modern-day love story between a teenage girl and a vampire. Bella Swan (Kristen Stewart) has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother re-marries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. Then she meets the mysterious and dazzlingly beautiful Edward Cullen (Robert Pattinson), a boy unlike any she's ever met. Edward is a vampire, but he doesn't have fangs and his family is unique in that they choose not to drink human blood. Intelligent and witty, Edward sees straight into Bella's soul. Soon, they are swept up in a passionate, thrilling and unorthodox romance. To Edward, Bella is what he has waited 90 years for – a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. But what will Edward & Bella do when a clan of new vampires – James (Cam Gigandet), Laurent (Edi Gathegi) and Victoria (Rachelle Lefevre) – come to town and threaten to disrupt their way of life? --© Summit

For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller.

Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama. - Rotten Tomatoes Consensus.

At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work.

Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama. - Rotten Tomatoes Consensus.

At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work.

Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama. - Rotten Tomatoes Consensus.

At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work.

Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama. - Rotten Tomatoes Consensus.

At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work.

Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama. - Rotten Tomatoes Consensus.

At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work.

Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama. - Rotten Tomatoes Consensus.

At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work.

Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama. - Rotten Tomatoes Consensus.

At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work.

"Visually dazzling and thematically conscious, Slumdog Millionaire is a story both entertaining and powerful." Rotten Tomatoes Consensus

SLUMDOG MILLIONAIRE is the story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India’s “Who Wants To Be A Millionaire?” But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show’s questions. Intrigued by Jamal’s story, the jaded Police Inspector begins to wonder what a young man with no apparent desire for riches is really doing on this game show? When the new day dawns and Jamal returns to answer the final question, the Inspector and sixty million viewers are about to find out. --© Fox Searchlight

"Visually dazzling and thematically conscious, Slumdog Millionaire is a story both entertaining and powerful." Rotten Tomatoes Consensus

SLUMDOG MILLIONAIRE is the story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India’s “Who Wants To Be A Millionaire?” But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show’s questions. Intrigued by Jamal’s story, the jaded Police Inspector begins to wonder what a young man with no apparent desire for riches is really doing on this game show? When the new day dawns and Jamal returns to answer the final question, the Inspector and sixty million viewers are about to find out. --© Fox Searchlight

Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama. - Rotten Tomatoes Consensus.

At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work.