The first HIGH SCHOOL MUSICAL movie to be released straight to the silver screen, HIGH SCHOOL MUSICAL 3 finds the cast of the beloved earlier installments, all students at East High, dealing with the ups and downs of senior year. While all... The first HIGH SCHOOL MUSICAL movie to be released straight to the silver screen, HIGH SCHOOL MUSICAL 3 finds the cast of the beloved earlier installments, all students at East High, dealing with the ups and downs of senior year. While all the characters have their own dilemmas, the central issue, as in past films, is the relationship between sweethearts Troy (Zac Efron), the captain of East High's Wildcats basketball team, and the bookish Gabriella (Vanessa Hudgens), who face the possibility of imminent separation when Gabriella gets a chance to attend college early. With this third outing in the wildly popular Disney series, director Kenny Ortega takes full advantage of HSM3's big-screen leap, staging musical numbers that go far beyond the scope of the movie's predecessors (see the lavish "I Want It All" by resident East High diva Sharpay, played by Ashley Tisdale). While the series regulars are in fine form and a few new characters are introduced, the film really belongs to Efron, who gets the most screen time and is clearly on a trajectory for stardom beyond HSM. Rather than hold back their budding leading man, the creators and producers of HSM3 let Efron take the spotlight, much to the movie\'s advantage. Designed to welcome the few viewers who might be unfamiliar with HIGH SCHOOL MUSICAL, SENIOR YEAR certainly offers plenty of valedictory excitement, and will leave fans giddy with delight.

The first HIGH SCHOOL MUSICAL movie to be released straight to the silver screen, HIGH SCHOOL MUSICAL 3 finds the cast of the beloved earlier installments, all students at East High, dealing with the ups and downs of senior year. While all... The first HIGH SCHOOL MUSICAL movie to be released straight to the silver screen, HIGH SCHOOL MUSICAL 3 finds the cast of the beloved earlier installments, all students at East High, dealing with the ups and downs of senior year. While all the characters have their own dilemmas, the central issue, as in past films, is the relationship between sweethearts Troy (Zac Efron), the captain of East High's Wildcats basketball team, and the bookish Gabriella (Vanessa Hudgens), who face the possibility of imminent separation when Gabriella gets a chance to attend college early. With this third outing in the wildly popular Disney series, director Kenny Ortega takes full advantage of HSM3's big-screen leap, staging musical numbers that go far beyond the scope of the movie's predecessors (see the lavish "I Want It All" by resident East High diva Sharpay, played by Ashley Tisdale). While the series regulars are in fine form and a few new characters are introduced, the film really belongs to Efron, who gets the most screen time and is clearly on a trajectory for stardom beyond HSM. Rather than hold back their budding leading man, the creators and producers of HSM3 let Efron take the spotlight, much to the movie\'s advantage. Designed to welcome the few viewers who might be unfamiliar with HIGH SCHOOL MUSICAL, SENIOR YEAR certainly offers plenty of valedictory excitement, and will leave fans giddy with delight.

Religulous is funny and offensive in equal measure, and aims less to change hearts and minds than to inspire conversation.

Bill Maher travels to Israel, England, the Netherlands, Vatican City, and across America, speaking to people about faith and religion in the very funny documentary RELIGULOUS. Maher, a stand-up comedian who has hosted the talk shows POLITICALLY INCORRECT on ABC and REAL TIME on HBO and has written such bestsellers as DOES ANYBODY HAVE A PROBLEM WITH THAT? and WHEN YOU RIDE ALONE, YOU RIDE WITH BIN LADEN, reaches out to religious leaders as well as regular folk on the street, discussing the existence of God and the importance of organized religion. Maher makes it clear from the start that he is not a fan of religion and does not believe in God, and he has fun skewering people who do--including Christians, Jews, Muslims, and Mormons, rabbis, priests, politicians, scientists, evangelical ministers, and even a preacher whose church is a converted truck. He also visits such places as the Holy Land Experience in Orlando, Florida, where he interviews the actor who plays Jesus in a live show there, and the Red Light District in Amsterdam, notorious for its legalized drugs and prostitution. As he has done on his television programs and in his books, Maher questions literal interpretations of the Bible, seeing it more as a collection of fairy tales. Director Larry Charles (BORAT, CURB YOUR ENTHUSIASM) intersperses clips from Hollywood films about religion to punctuate Maher's points, often to hilarious effect. The soundtrack is also used effectively, including such songs as the Doobie Brothers' "Jesus Is Just Alright," Ben Folds's "Jesusland," and Billy Bragg and Wilco's "Christ for President." Like such Michael Moore documentaries as FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE, Maher's RELIGULOUS uses humor--and lots of cynicism and sarcasm--to examine controversial theories and topics that people feel very strongly about, no matter what side of the fence they are on. In addition to making audiences laugh, RELIGULOUS will make them think. - Rotten Tomatoes Consensus

Religulous is funny and offensive in equal measure, and aims less to change hearts and minds than to inspire conversation.

Bill Maher travels to Israel, England, the Netherlands, Vatican City, and across America, speaking to people about faith and religion in the very funny documentary RELIGULOUS. Maher, a stand-up comedian who has hosted the talk shows POLITICALLY INCORRECT on ABC and REAL TIME on HBO and has written such bestsellers as DOES ANYBODY HAVE A PROBLEM WITH THAT? and WHEN YOU RIDE ALONE, YOU RIDE WITH BIN LADEN, reaches out to religious leaders as well as regular folk on the street, discussing the existence of God and the importance of organized religion. Maher makes it clear from the start that he is not a fan of religion and does not believe in God, and he has fun skewering people who do--including Christians, Jews, Muslims, and Mormons, rabbis, priests, politicians, scientists, evangelical ministers, and even a preacher whose church is a converted truck. He also visits such places as the Holy Land Experience in Orlando, Florida, where he interviews the actor who plays Jesus in a live show there, and the Red Light District in Amsterdam, notorious for its legalized drugs and prostitution. As he has done on his television programs and in his books, Maher questions literal interpretations of the Bible, seeing it more as a collection of fairy tales. Director Larry Charles (BORAT, CURB YOUR ENTHUSIASM) intersperses clips from Hollywood films about religion to punctuate Maher's points, often to hilarious effect. The soundtrack is also used effectively, including such songs as the Doobie Brothers' "Jesus Is Just Alright," Ben Folds's "Jesusland," and Billy Bragg and Wilco's "Christ for President." Like such Michael Moore documentaries as FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE, Maher's RELIGULOUS uses humor--and lots of cynicism and sarcasm--to examine controversial theories and topics that people feel very strongly about, no matter what side of the fence they are on. In addition to making audiences laugh, RELIGULOUS will make them think. - Rotten Tomatoes Consensus

Religulous is funny and offensive in equal measure, and aims less to change hearts and minds than to inspire conversation.

Bill Maher travels to Israel, England, the Netherlands, Vatican City, and across America, speaking to people about faith and religion in the very funny documentary RELIGULOUS. Maher, a stand-up comedian who has hosted the talk shows POLITICALLY INCORRECT on ABC and REAL TIME on HBO and has written such bestsellers as DOES ANYBODY HAVE A PROBLEM WITH THAT? and WHEN YOU RIDE ALONE, YOU RIDE WITH BIN LADEN, reaches out to religious leaders as well as regular folk on the street, discussing the existence of God and the importance of organized religion. Maher makes it clear from the start that he is not a fan of religion and does not believe in God, and he has fun skewering people who do--including Christians, Jews, Muslims, and Mormons, rabbis, priests, politicians, scientists, evangelical ministers, and even a preacher whose church is a converted truck. He also visits such places as the Holy Land Experience in Orlando, Florida, where he interviews the actor who plays Jesus in a live show there, and the Red Light District in Amsterdam, notorious for its legalized drugs and prostitution. As he has done on his television programs and in his books, Maher questions literal interpretations of the Bible, seeing it more as a collection of fairy tales. Director Larry Charles (BORAT, CURB YOUR ENTHUSIASM) intersperses clips from Hollywood films about religion to punctuate Maher's points, often to hilarious effect. The soundtrack is also used effectively, including such songs as the Doobie Brothers' "Jesus Is Just Alright," Ben Folds's "Jesusland," and Billy Bragg and Wilco's "Christ for President." Like such Michael Moore documentaries as FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE, Maher's RELIGULOUS uses humor--and lots of cynicism and sarcasm--to examine controversial theories and topics that people feel very strongly about, no matter what side of the fence they are on. In addition to making audiences laugh, RELIGULOUS will make them think. - Rotten Tomatoes Consensus

Religulous is funny and offensive in equal measure, and aims less to change hearts and minds than to inspire conversation.

Bill Maher travels to Israel, England, the Netherlands, Vatican City, and across America, speaking to people about faith and religion in the very funny documentary RELIGULOUS. Maher, a stand-up comedian who has hosted the talk shows POLITICALLY INCORRECT on ABC and REAL TIME on HBO and has written such bestsellers as DOES ANYBODY HAVE A PROBLEM WITH THAT? and WHEN YOU RIDE ALONE, YOU RIDE WITH BIN LADEN, reaches out to religious leaders as well as regular folk on the street, discussing the existence of God and the importance of organized religion. Maher makes it clear from the start that he is not a fan of religion and does not believe in God, and he has fun skewering people who do--including Christians, Jews, Muslims, and Mormons, rabbis, priests, politicians, scientists, evangelical ministers, and even a preacher whose church is a converted truck. He also visits such places as the Holy Land Experience in Orlando, Florida, where he interviews the actor who plays Jesus in a live show there, and the Red Light District in Amsterdam, notorious for its legalized drugs and prostitution. As he has done on his television programs and in his books, Maher questions literal interpretations of the Bible, seeing it more as a collection of fairy tales. Director Larry Charles (BORAT, CURB YOUR ENTHUSIASM) intersperses clips from Hollywood films about religion to punctuate Maher's points, often to hilarious effect. The soundtrack is also used effectively, including such songs as the Doobie Brothers' "Jesus Is Just Alright," Ben Folds's "Jesusland," and Billy Bragg and Wilco's "Christ for President." Like such Michael Moore documentaries as FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE, Maher's RELIGULOUS uses humor--and lots of cynicism and sarcasm--to examine controversial theories and topics that people feel very strongly about, no matter what side of the fence they are on. In addition to making audiences laugh, RELIGULOUS will make them think. - Rotten Tomatoes Consensus

Religulous is funny and offensive in equal measure, and aims less to change hearts and minds than to inspire conversation.

Bill Maher travels to Israel, England, the Netherlands, Vatican City, and across America, speaking to people about faith and religion in the very funny documentary RELIGULOUS. Maher, a stand-up comedian who has hosted the talk shows POLITICALLY INCORRECT on ABC and REAL TIME on HBO and has written such bestsellers as DOES ANYBODY HAVE A PROBLEM WITH THAT? and WHEN YOU RIDE ALONE, YOU RIDE WITH BIN LADEN, reaches out to religious leaders as well as regular folk on the street, discussing the existence of God and the importance of organized religion. Maher makes it clear from the start that he is not a fan of religion and does not believe in God, and he has fun skewering people who do--including Christians, Jews, Muslims, and Mormons, rabbis, priests, politicians, scientists, evangelical ministers, and even a preacher whose church is a converted truck. He also visits such places as the Holy Land Experience in Orlando, Florida, where he interviews the actor who plays Jesus in a live show there, and the Red Light District in Amsterdam, notorious for its legalized drugs and prostitution. As he has done on his television programs and in his books, Maher questions literal interpretations of the Bible, seeing it more as a collection of fairy tales. Director Larry Charles (BORAT, CURB YOUR ENTHUSIASM) intersperses clips from Hollywood films about religion to punctuate Maher's points, often to hilarious effect. The soundtrack is also used effectively, including such songs as the Doobie Brothers' "Jesus Is Just Alright," Ben Folds's "Jesusland," and Billy Bragg and Wilco's "Christ for President." Like such Michael Moore documentaries as FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE, Maher's RELIGULOUS uses humor--and lots of cynicism and sarcasm--to examine controversial theories and topics that people feel very strongly about, no matter what side of the fence they are on. In addition to making audiences laugh, RELIGULOUS will make them think. - Rotten Tomatoes Consensus

Religulous is funny and offensive in equal measure, and aims less to change hearts and minds than to inspire conversation.

Bill Maher travels to Israel, England, the Netherlands, Vatican City, and across America, speaking to people about faith and religion in the very funny documentary RELIGULOUS. Maher, a stand-up comedian who has hosted the talk shows POLITICALLY INCORRECT on ABC and REAL TIME on HBO and has written such bestsellers as DOES ANYBODY HAVE A PROBLEM WITH THAT? and WHEN YOU RIDE ALONE, YOU RIDE WITH BIN LADEN, reaches out to religious leaders as well as regular folk on the street, discussing the existence of God and the importance of organized religion. Maher makes it clear from the start that he is not a fan of religion and does not believe in God, and he has fun skewering people who do--including Christians, Jews, Muslims, and Mormons, rabbis, priests, politicians, scientists, evangelical ministers, and even a preacher whose church is a converted truck. He also visits such places as the Holy Land Experience in Orlando, Florida, where he interviews the actor who plays Jesus in a live show there, and the Red Light District in Amsterdam, notorious for its legalized drugs and prostitution. As he has done on his television programs and in his books, Maher questions literal interpretations of the Bible, seeing it more as a collection of fairy tales. Director Larry Charles (BORAT, CURB YOUR ENTHUSIASM) intersperses clips from Hollywood films about religion to punctuate Maher's points, often to hilarious effect. The soundtrack is also used effectively, including such songs as the Doobie Brothers' "Jesus Is Just Alright," Ben Folds's "Jesusland," and Billy Bragg and Wilco's "Christ for President." Like such Michael Moore documentaries as FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE, Maher's RELIGULOUS uses humor--and lots of cynicism and sarcasm--to examine controversial theories and topics that people feel very strongly about, no matter what side of the fence they are on. In addition to making audiences laugh, RELIGULOUS will make them think. - Rotten Tomatoes Consensus

"I've never used this cliché in a review before, and God forbid I ever use it again, so pay close attention: Happy-Go-Lucky is the feel-good movie of the year." Amy Biancolli, Houston Chronicle

In a shift away from his usual exploration of the dark and dreary, director Mike Leigh (VERA DRAKE) takes a lighter look at life with HAPPY-GO-LUCKY. The film chronicles the daily comings and goings of 30-year-old Poppy, whose positive, easy-going outlook epitomizes the title. Poppy is a primary school teacher, who lives in London with her best friend Zoe (Alexis Zegerman). We follow Poppy through her daily routines--going clubbing with her friends, preparing exercises for her class, going to the chiropractor, and taking flamenco lessons. Nothing truly remarkable happens to Poppy, and yet, her boundless good cheer and childlike delight make her smallest endeavors incredibly engaging. Poppy's smile is put to the ultimate test after she decides to take driving lessons, and is assigned to Scott (Eddie Marsan). Scott is a paranoid, rage-filled instructor who verbally abuses her throughout her lessons. Poppy continues to see him, week after week, despite his escalating tantrums. Meanwhile, at work, a young student has been acting out in class, and Poppy must call in a very handsome social worker for assistance. She and the social worker eventually go on a date, which ends up becoming a catalyst for her driving instructor's climactic meltdown and confrontation with Poppy. The film is a fascinating character study, and Hawkins is excellent as Poppy, striking just the right chord of cheerful without coming off as shrill or obnoxious. It also offers a refreshingly upbeat and realistic look at life for the 30-something urban woman. Poppy lives her life to the fullest--in the real world--without any clichéd SEX AND THE CITY hangups. HAPPY-GO-LUCKY is whip-smart and full of surprises--just when you are certain the story is going to veer in a certain direction, Leigh gently nudges you down a different path. And you are glad of it.

FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a... FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a fireman whose fearlessness is limited to his work. At home with his wife of seven years, Caleb shows little of the bravery he displays on the job, and has a failing marriage as a result. Fighting over every little thing, Caleb and his wife, Catherine (Erin Bethea), are on the verge of signing divorce papers when Caleb\\\\\\\'s father and coworkers urge him to approach his marriage in the same way he fights vicious flames. When Caleb\\\\\\\'s father gives him the \\\\\\\"Love Dare,\\\\\\\" a 40-day guide to religiously motivated marriage help, Caleb begins a difficult journey to reclaim his wife, and in the process, his faith in God. With several action-packed scenes, FIREPROOF uses fire metaphors in its exploration of marriage. The film offers an alternative to the common romantic comedy and, some might argue, a more multidimensional view of romance. The film examines both the ups and inevitable downs of married life, offering faith as a prescription for saving what may at first glance appear to have already failed. Likely to please its target audience, the film offers a fresh perspective on marriage and inspiring relationship tips viewers may want to try regardless of their faith.

"I've never used this cliché in a review before, and God forbid I ever use it again, so pay close attention: Happy-Go-Lucky is the feel-good movie of the year." Amy Biancolli, Houston Chronicle

In a shift away from his usual exploration of the dark and dreary, director Mike Leigh (VERA DRAKE) takes a lighter look at life with HAPPY-GO-LUCKY. The film chronicles the daily comings and goings of 30-year-old Poppy, whose positive, easy-going outlook epitomizes the title. Poppy is a primary school teacher, who lives in London with her best friend Zoe (Alexis Zegerman). We follow Poppy through her daily routines--going clubbing with her friends, preparing exercises for her class, going to the chiropractor, and taking flamenco lessons. Nothing truly remarkable happens to Poppy, and yet, her boundless good cheer and childlike delight make her smallest endeavors incredibly engaging. Poppy's smile is put to the ultimate test after she decides to take driving lessons, and is assigned to Scott (Eddie Marsan). Scott is a paranoid, rage-filled instructor who verbally abuses her throughout her lessons. Poppy continues to see him, week after week, despite his escalating tantrums. Meanwhile, at work, a young student has been acting out in class, and Poppy must call in a very handsome social worker for assistance. She and the social worker eventually go on a date, which ends up becoming a catalyst for her driving instructor's climactic meltdown and confrontation with Poppy. The film is a fascinating character study, and Hawkins is excellent as Poppy, striking just the right chord of cheerful without coming off as shrill or obnoxious. It also offers a refreshingly upbeat and realistic look at life for the 30-something urban woman. Poppy lives her life to the fullest--in the real world--without any clichéd SEX AND THE CITY hangups. HAPPY-GO-LUCKY is whip-smart and full of surprises--just when you are certain the story is going to veer in a certain direction, Leigh gently nudges you down a different path. And you are glad of it.

FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a... FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a fireman whose fearlessness is limited to his work. At home with his wife of seven years, Caleb shows little of the bravery he displays on the job, and has a failing marriage as a result. Fighting over every little thing, Caleb and his wife, Catherine (Erin Bethea), are on the verge of signing divorce papers when Caleb\\\\\\\'s father and coworkers urge him to approach his marriage in the same way he fights vicious flames. When Caleb\\\\\\\'s father gives him the \\\\\\\"Love Dare,\\\\\\\" a 40-day guide to religiously motivated marriage help, Caleb begins a difficult journey to reclaim his wife, and in the process, his faith in God. With several action-packed scenes, FIREPROOF uses fire metaphors in its exploration of marriage. The film offers an alternative to the common romantic comedy and, some might argue, a more multidimensional view of romance. The film examines both the ups and inevitable downs of married life, offering faith as a prescription for saving what may at first glance appear to have already failed. Likely to please its target audience, the film offers a fresh perspective on marriage and inspiring relationship tips viewers may want to try regardless of their faith.

"I've never used this cliché in a review before, and God forbid I ever use it again, so pay close attention: Happy-Go-Lucky is the feel-good movie of the year." Amy Biancolli, Houston Chronicle

In a shift away from his usual exploration of the dark and dreary, director Mike Leigh (VERA DRAKE) takes a lighter look at life with HAPPY-GO-LUCKY. The film chronicles the daily comings and goings of 30-year-old Poppy, whose positive, easy-going outlook epitomizes the title. Poppy is a primary school teacher, who lives in London with her best friend Zoe (Alexis Zegerman). We follow Poppy through her daily routines--going clubbing with her friends, preparing exercises for her class, going to the chiropractor, and taking flamenco lessons. Nothing truly remarkable happens to Poppy, and yet, her boundless good cheer and childlike delight make her smallest endeavors incredibly engaging. Poppy's smile is put to the ultimate test after she decides to take driving lessons, and is assigned to Scott (Eddie Marsan). Scott is a paranoid, rage-filled instructor who verbally abuses her throughout her lessons. Poppy continues to see him, week after week, despite his escalating tantrums. Meanwhile, at work, a young student has been acting out in class, and Poppy must call in a very handsome social worker for assistance. She and the social worker eventually go on a date, which ends up becoming a catalyst for her driving instructor's climactic meltdown and confrontation with Poppy. The film is a fascinating character study, and Hawkins is excellent as Poppy, striking just the right chord of cheerful without coming off as shrill or obnoxious. It also offers a refreshingly upbeat and realistic look at life for the 30-something urban woman. Poppy lives her life to the fullest--in the real world--without any clichéd SEX AND THE CITY hangups. HAPPY-GO-LUCKY is whip-smart and full of surprises--just when you are certain the story is going to veer in a certain direction, Leigh gently nudges you down a different path. And you are glad of it.

FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a... FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a fireman whose fearlessness is limited to his work. At home with his wife of seven years, Caleb shows little of the bravery he displays on the job, and has a failing marriage as a result. Fighting over every little thing, Caleb and his wife, Catherine (Erin Bethea), are on the verge of signing divorce papers when Caleb\\\\\\\'s father and coworkers urge him to approach his marriage in the same way he fights vicious flames. When Caleb\\\\\\\'s father gives him the \\\\\\\"Love Dare,\\\\\\\" a 40-day guide to religiously motivated marriage help, Caleb begins a difficult journey to reclaim his wife, and in the process, his faith in God. With several action-packed scenes, FIREPROOF uses fire metaphors in its exploration of marriage. The film offers an alternative to the common romantic comedy and, some might argue, a more multidimensional view of romance. The film examines both the ups and inevitable downs of married life, offering faith as a prescription for saving what may at first glance appear to have already failed. Likely to please its target audience, the film offers a fresh perspective on marriage and inspiring relationship tips viewers may want to try regardless of their faith.

"I've never used this cliché in a review before, and God forbid I ever use it again, so pay close attention: Happy-Go-Lucky is the feel-good movie of the year." Amy Biancolli, Houston Chronicle

In a shift away from his usual exploration of the dark and dreary, director Mike Leigh (VERA DRAKE) takes a lighter look at life with HAPPY-GO-LUCKY. The film chronicles the daily comings and goings of 30-year-old Poppy, whose positive, easy-going outlook epitomizes the title. Poppy is a primary school teacher, who lives in London with her best friend Zoe (Alexis Zegerman). We follow Poppy through her daily routines--going clubbing with her friends, preparing exercises for her class, going to the chiropractor, and taking flamenco lessons. Nothing truly remarkable happens to Poppy, and yet, her boundless good cheer and childlike delight make her smallest endeavors incredibly engaging. Poppy's smile is put to the ultimate test after she decides to take driving lessons, and is assigned to Scott (Eddie Marsan). Scott is a paranoid, rage-filled instructor who verbally abuses her throughout her lessons. Poppy continues to see him, week after week, despite his escalating tantrums. Meanwhile, at work, a young student has been acting out in class, and Poppy must call in a very handsome social worker for assistance. She and the social worker eventually go on a date, which ends up becoming a catalyst for her driving instructor's climactic meltdown and confrontation with Poppy. The film is a fascinating character study, and Hawkins is excellent as Poppy, striking just the right chord of cheerful without coming off as shrill or obnoxious. It also offers a refreshingly upbeat and realistic look at life for the 30-something urban woman. Poppy lives her life to the fullest--in the real world--without any clichéd SEX AND THE CITY hangups. HAPPY-GO-LUCKY is whip-smart and full of surprises--just when you are certain the story is going to veer in a certain direction, Leigh gently nudges you down a different path. And you are glad of it.

FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a... FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a fireman whose fearlessness is limited to his work. At home with his wife of seven years, Caleb shows little of the bravery he displays on the job, and has a failing marriage as a result. Fighting over every little thing, Caleb and his wife, Catherine (Erin Bethea), are on the verge of signing divorce papers when Caleb\\\\\\\'s father and coworkers urge him to approach his marriage in the same way he fights vicious flames. When Caleb\\\\\\\'s father gives him the \\\\\\\"Love Dare,\\\\\\\" a 40-day guide to religiously motivated marriage help, Caleb begins a difficult journey to reclaim his wife, and in the process, his faith in God. With several action-packed scenes, FIREPROOF uses fire metaphors in its exploration of marriage. The film offers an alternative to the common romantic comedy and, some might argue, a more multidimensional view of romance. The film examines both the ups and inevitable downs of married life, offering faith as a prescription for saving what may at first glance appear to have already failed. Likely to please its target audience, the film offers a fresh perspective on marriage and inspiring relationship tips viewers may want to try regardless of their faith.

"I've never used this cliché in a review before, and God forbid I ever use it again, so pay close attention: Happy-Go-Lucky is the feel-good movie of the year." Amy Biancolli, Houston Chronicle

In a shift away from his usual exploration of the dark and dreary, director Mike Leigh (VERA DRAKE) takes a lighter look at life with HAPPY-GO-LUCKY. The film chronicles the daily comings and goings of 30-year-old Poppy, whose positive, easy-going outlook epitomizes the title. Poppy is a primary school teacher, who lives in London with her best friend Zoe (Alexis Zegerman). We follow Poppy through her daily routines--going clubbing with her friends, preparing exercises for her class, going to the chiropractor, and taking flamenco lessons. Nothing truly remarkable happens to Poppy, and yet, her boundless good cheer and childlike delight make her smallest endeavors incredibly engaging. Poppy's smile is put to the ultimate test after she decides to take driving lessons, and is assigned to Scott (Eddie Marsan). Scott is a paranoid, rage-filled instructor who verbally abuses her throughout her lessons. Poppy continues to see him, week after week, despite his escalating tantrums. Meanwhile, at work, a young student has been acting out in class, and Poppy must call in a very handsome social worker for assistance. She and the social worker eventually go on a date, which ends up becoming a catalyst for her driving instructor's climactic meltdown and confrontation with Poppy. The film is a fascinating character study, and Hawkins is excellent as Poppy, striking just the right chord of cheerful without coming off as shrill or obnoxious. It also offers a refreshingly upbeat and realistic look at life for the 30-something urban woman. Poppy lives her life to the fullest--in the real world--without any clichéd SEX AND THE CITY hangups. HAPPY-GO-LUCKY is whip-smart and full of surprises--just when you are certain the story is going to veer in a certain direction, Leigh gently nudges you down a different path. And you are glad of it.

FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a... FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a fireman whose fearlessness is limited to his work. At home with his wife of seven years, Caleb shows little of the bravery he displays on the job, and has a failing marriage as a result. Fighting over every little thing, Caleb and his wife, Catherine (Erin Bethea), are on the verge of signing divorce papers when Caleb\\\\\\\'s father and coworkers urge him to approach his marriage in the same way he fights vicious flames. When Caleb\\\\\\\'s father gives him the \\\\\\\"Love Dare,\\\\\\\" a 40-day guide to religiously motivated marriage help, Caleb begins a difficult journey to reclaim his wife, and in the process, his faith in God. With several action-packed scenes, FIREPROOF uses fire metaphors in its exploration of marriage. The film offers an alternative to the common romantic comedy and, some might argue, a more multidimensional view of romance. The film examines both the ups and inevitable downs of married life, offering faith as a prescription for saving what may at first glance appear to have already failed. Likely to please its target audience, the film offers a fresh perspective on marriage and inspiring relationship tips viewers may want to try regardless of their faith.

"I've never used this cliché in a review before, and God forbid I ever use it again, so pay close attention: Happy-Go-Lucky is the feel-good movie of the year." Amy Biancolli, Houston Chronicle

In a shift away from his usual exploration of the dark and dreary, director Mike Leigh (VERA DRAKE) takes a lighter look at life with HAPPY-GO-LUCKY. The film chronicles the daily comings and goings of 30-year-old Poppy, whose positive, easy-going outlook epitomizes the title. Poppy is a primary school teacher, who lives in London with her best friend Zoe (Alexis Zegerman). We follow Poppy through her daily routines--going clubbing with her friends, preparing exercises for her class, going to the chiropractor, and taking flamenco lessons. Nothing truly remarkable happens to Poppy, and yet, her boundless good cheer and childlike delight make her smallest endeavors incredibly engaging. Poppy's smile is put to the ultimate test after she decides to take driving lessons, and is assigned to Scott (Eddie Marsan). Scott is a paranoid, rage-filled instructor who verbally abuses her throughout her lessons. Poppy continues to see him, week after week, despite his escalating tantrums. Meanwhile, at work, a young student has been acting out in class, and Poppy must call in a very handsome social worker for assistance. She and the social worker eventually go on a date, which ends up becoming a catalyst for her driving instructor's climactic meltdown and confrontation with Poppy. The film is a fascinating character study, and Hawkins is excellent as Poppy, striking just the right chord of cheerful without coming off as shrill or obnoxious. It also offers a refreshingly upbeat and realistic look at life for the 30-something urban woman. Poppy lives her life to the fullest--in the real world--without any clichéd SEX AND THE CITY hangups. HAPPY-GO-LUCKY is whip-smart and full of surprises--just when you are certain the story is going to veer in a certain direction, Leigh gently nudges you down a different path. And you are glad of it.

FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a... FIREPROOF, from the same team that made the 2006 hit FACING THE GIANTS, is a Christian relationship drama with a very strong message. The film stars Kirk Cameron of the classic television series GROWING PAINS as Captain Caleb Holt, a fireman whose fearlessness is limited to his work. At home with his wife of seven years, Caleb shows little of the bravery he displays on the job, and has a failing marriage as a result. Fighting over every little thing, Caleb and his wife, Catherine (Erin Bethea), are on the verge of signing divorce papers when Caleb\\\\\\\'s father and coworkers urge him to approach his marriage in the same way he fights vicious flames. When Caleb\\\\\\\'s father gives him the \\\\\\\"Love Dare,\\\\\\\" a 40-day guide to religiously motivated marriage help, Caleb begins a difficult journey to reclaim his wife, and in the process, his faith in God. With several action-packed scenes, FIREPROOF uses fire metaphors in its exploration of marriage. The film offers an alternative to the common romantic comedy and, some might argue, a more multidimensional view of romance. The film examines both the ups and inevitable downs of married life, offering faith as a prescription for saving what may at first glance appear to have already failed. Likely to please its target audience, the film offers a fresh perspective on marriage and inspiring relationship tips viewers may want to try regardless of their faith.

"A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist." - Rotten Tomatoes Consensus

Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace.

"A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist." - Rotten Tomatoes Consensus

Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace.

"A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist." - Rotten Tomatoes Consensus

Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace.

"A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist." - Rotten Tomatoes Consensus

Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace.

"A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist." - Rotten Tomatoes Consensus

Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace.

Tom Cruise, Kenneth Branagh, Bill Nighy, Terence Stamp

Acclaimed director Bryan Singer moves away from the worlds of Marvel and DC to helm this World War II thriller. Tom Cruise stars as Claus von Stauffenberg, a man intent on killing Adolf Hitler. Singer's talented cast also includes Kenneth Branagh, Bill Nighy, Tom Wilkinson, Eddie Izzard, and Terrence Stamp.

Tom Cruise, Kenneth Branagh, Bill Nighy, Terence Stamp

Acclaimed director Bryan Singer moves away from the worlds of Marvel and DC to helm this World War II thriller. Tom Cruise stars as Claus von Stauffenberg, a man intent on killing Adolf Hitler. Singer's talented cast also includes Kenneth Branagh, Bill Nighy, Tom Wilkinson, Eddie Izzard, and Terrence Stamp.

Tom Cruise, Kenneth Branagh, Bill Nighy, Terence Stamp

Acclaimed director Bryan Singer moves away from the worlds of Marvel and DC to helm this World War II thriller. Tom Cruise stars as Claus von Stauffenberg, a man intent on killing Adolf Hitler. Singer's talented cast also includes Kenneth Branagh, Bill Nighy, Tom Wilkinson, Eddie Izzard, and Terrence Stamp.

Tom Cruise, Kenneth Branagh, Bill Nighy, Terence Stamp

Acclaimed director Bryan Singer moves away from the worlds of Marvel and DC to helm this World War II thriller. Tom Cruise stars as Claus von Stauffenberg, a man intent on killing Adolf Hitler. Singer's talented cast also includes Kenneth Branagh, Bill Nighy, Tom Wilkinson, Eddie Izzard, and Terrence Stamp.

Tom Cruise, Kenneth Branagh, Bill Nighy, Terence Stamp

Acclaimed director Bryan Singer moves away from the worlds of Marvel and DC to helm this World War II thriller. Tom Cruise stars as Claus von Stauffenberg, a man intent on killing Adolf Hitler. Singer's talented cast also includes Kenneth Branagh, Bill Nighy, Tom Wilkinson, Eddie Izzard, and Terrence Stamp.

Tom Cruise, Kenneth Branagh, Bill Nighy, Terence Stamp

Acclaimed director Bryan Singer moves away from the worlds of Marvel and DC to helm this World War II thriller. Tom Cruise stars as Claus von Stauffenberg, a man intent on killing Adolf Hitler. Singer's talented cast also includes Kenneth Branagh, Bill Nighy, Tom Wilkinson, Eddie Izzard, and Terrence Stamp.